Premiering February 27, 2021 @ 7:30pm
Streaming for 72 hours

TAKING UP SERPENTS

by Kamala Sankaram & Jerre Dye

Share your experience on social media #cotserpents

75 minutes
without intermission

 

Live-captured at
Studebaker Theater

 

English
with English subtitles

This production contains strong language and occasional theatrical violence. If you require more information, contact the box office at 312.704.8414.

Synopsis

On New Year’s Eve in Gulf Shores, Alabama, 25 year-old Kayla stands outside the Save Mart drug store on a break from her marathon evening shift. Her co-worker, Reba, stands at a distance finishing a cigarette. Kayla watches moths circle the streetlights and questions whether leaving her family and her home to find herself was worth it. A vision appears of her younger self carrying a serpent box. Their eyes meet briefly before Young Kayla disappears.  

Back inside, monotony eats away at Kayla, as she cleans up for the night. A second vision appears – this time of her childhood church. Her father takes the pulpit and preaches in all his glory. Kayla feels both joy and fear. Overcome by the Holy Spirit, Kayla’s mother, Nelda, speaks wildly and magnificently in tongues.

A phone call to the Save Mart interrupts Kayla’s vision. Nelda is on the line. Daddy has been bitten by one of his rattlesnakes in a church service and is dying in the hospital.

Kayla is transported to New Year’s Eve from her childhood. Fireworks burst in the sky, and Daddy, sloppy and unpredictable, carries a bottle of bourbon and a bag of bottle rockets, mocking Nelda’s concern. Throwing a series of rockets into the sky, Daddy shouts in desperation and begs to be saved.

On the Greyhound bus, Kayla hears the thoughts of the other lost passengers. She prays to be delivered. Another vision appears. Nelda speaks in tongues. Kayla hears a rattlesnake hissing inside of a suitcase and finds herself with Daddy by Burkett’s Creek as a child.

Kayla arrives at the hospital to find Nelda, furious, tormented, and ashamed. The two women reckon with Daddy’s concurrent grandeur, misdeeds, and cruelty.

Kayla departs into an imagined church vision, leaving Nelda at Daddy’s bedside. Both women must confront what comes next, and Kayla is transformed.


Taking Up Serpents was originally commissioned by Washington National Opera and premiered on January 11, 2019. This newly expanded version, premiering on February 27, 2021, was co-commissioned by Chicago Opera Theater and On Site Opera.

 

Creative Team

Composer: Kamala Sankaram
Librettist & Director: Jerre Dye
Conductor: Lidiya Yankovskaya

Costume Designer: Brenda Winstead
Lighting Designer: David Lee Bradke
Wig & Makeup Designer: Rebecca A. Scott

Full Production Team >

Cast

Kayla: Alexandra Loutsion
Nelda: Leah Dexter
Daddy: Michael Mayes

Reba: Annie Rosen
Young Mother: Morgan Middleton
Save Mart Worker / Bus Driver: Justin Berkowitz
Save Mart Customer / Queer Kid: Rachel Blaustein

Supernumerary: Emma Claire Stace as Young Kayla

Orchestra

Violin 1: Pasquale Laurino
Violin 2: Wendy Benner
Viola: Vannia Phillips
Cello: Mark Lekas
Bass: Christian Dillingham
Piano: Yasuko Oura
Flute/Piccolo: Alyce Johnson
Oboe: Erik Andrusyak
Clarinet: Daniel Won
Bassoon: Lewis Kirk
French Horn: Steven Replogle
Guitar: Steve Roberts
Percussion: George Blanchet

Orchestra Contractor: Ross Beacraft

Note from the Composer

I am so delighted to bring Taking Up Serpents to Chicago for its Midwest premiere – and I’m even more excited that Chicago Opera Theater has given us the opportunity to dig deeper into this world for its new iteration.

My goal for the sound world of the opera has always been to try to capture the mystery of faith in musical form. The original version of the opera accomplished this through musical ciphers including mystic chords, numerology embedded in the time signatures, extended techniques in the orchestral and vocal writing, and idiosyncratic instruments in the orchestra, including whirly tubes and a waterphone.

For the COT production, I have written 20 minutes of new music and tightened the storytelling through the body of the work. The revisions Jerre and I have made allowed us to expand the sonic and dramatic palette to include specific nods to the music of the Pentecostal church, such as the praise band.

To best capture that spirit – and the raw power that a live audience might experience – the opera was filmed with multiple cameras in a single take. Jerre and I are truly grateful to Maestra Yankovskaya for her continued support of the piece, and we can’t wait to share it with you!

Kamala Sankaram

Creators

 

Kamala Sankaram
Composer

COT Debut

Jerre Dye
Librettist & Director

Performers

 

Get to know the Serpents team:

• If Alexandra Loutsion hadn’t become an opera singer, she would’ve liked to work for NASA. Though she grew up singing in her father’s Greek Orthodox Church choir, Aerosmith is her favorite band of all time.

Leah Dexter was raised in Detroit, where she studied violin, cello, and ballet. She now performs all over the Chicago music scene, singing with the American Spiritual Ensemble, Lyric Opera, and Chicago Sinfonietta.

Michael Mayes grew up listening to bluegrass, country, and blues in Cut and Shoot, Texas. His grandfather was a charismatic preacher in the Missionary Baptist Church, making his role in Serpents very personally relatable.

• Before she was a fast-rising conductor with slated debuts at Houston Grand Opera, Dallas Opera, and Seattle Opera, Lidiya Yankovskaya worked as a floral bouquet designer, lifeguard, sailing and waterskiing instructor, and hiking leader in the Adirondacks during her teens.

Jerre Dye was raised in a Pentecostal church in Mississippi. The sounds that make him happy include: water moving over rocks, cicadas, ice cream trucks, wind through aspens, the waves breaking at Big Sur, slow moving trains, thunderstorms, and all things Fall.

Kamala Sankaram has a PhD in Cognitive Psychology. She’s also the frontwoman for Brooklyn-based band Bombay Rickey, which blends the worlds of surf rock, cumbia, spaghetti-Western, and Bollywood, balanced out with soaring operatic vocals.

 
LidiyaYankovskaya.jpg

Lidiya Yankovskaya
Conductor

Orli and Bill Staley Music Director

 
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Alexandra Loutsion
as Kayla

COT Debut

LeahDexter.jpg

Leah Dexter
as Nelda

MichaelMayes.jpg

Michael Mayes
as Daddy

COT Debut

 
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Annie Rosen
as Reba

MorganMiddleton.jpg

Morgan Middleton
as Young Mother

COT Young Artist

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Justin Berkowitz 
as Save Mart Worker
& Bus Driver

Former COT Young Artist

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Rachel Blaustein
as Save Mart Customer
& Queer Kid

COT Debut

Production Teams

Chicago Opera Theater

David Lee Bradke, Lighting Designer/Director
Anna Janicek, Assistant Lighting Director

Brenda Winstead, Costume Designer & Wardrobe Supervisor
Rachel Boylan, Assistant Costume Designer
Kayla Cortina, Wardrobe Crew
Lynn Sparber, Wardrobe Crew
Annaliese Voci, Wardrobe Crew
Liz Taylor, Stitcher

Rebecca A. Scott, Wig & Makeup Designer
Necole E. Bluhm, Assistant Wig and Makeup Designer

Emily Boyd, Props Co-Master
Mitchell Ransdell, Props Co-Master

Joseph Staffa, Technical Director
Keira Jacobs, Assistant Technical Director

Kristen Barrett, Production Stage Manager
Adrienne Bader, Assistant Stage Manager

Creative Team Assistants
Michael Pecak, Assistant Conductor/Répétiteur
Josh Quinn, Répétiteur
Rebecca Willingham, Assistant Director
Katherine Coyl, Fight Director

Supertitles
Josh Quinn, Supertitles Operator
Samantha Schmid, Supertitles Creator

Stage Crew
Michael Barahura
Matt Bearo
Maria Deiters
Erin Hurley
Mati Johnson
Heather Kristan
Tim Martin
Smaida Massatt
Matt Pondel
Juan Valencia
Jonah White

Valhalla Media

Production Team

Jan Thompson, Video Director
Nikolas Wenzel, Mixing Engineer
Joseph Court, Audio & Wireless Engineer
Scott Zeugner, Production Engineer
Andrew Cioffi, Production Engineer
Kimmer Olesak, Director of Photography
Nathan Bartlett, Jib Operator
Katrina Mulligan, Camera Operator
Lucas O’Brien, Camera Operator
Brian Delisi, Camera Operator
Clare Sullivan, Musical Assistant
Adam Slutsky, Video Editor 

B-Roll Unit

Jan Thompson, Video Director
Katrina Saldana, Camera Operator
Hannah Friedman, Camera Operator
Nikolas Wenzel, Production Assistant

SEASON SPONSORS

Julie & Roger Baskes • Nancy Dehmlow

PRODUCTION SPONSORS

COT President’s Council

ARTIST SPONSORS for Alexandra Loutsion

Queta & Ron Bauer

IN-KIND SPONSORS

S.B.C. Waste Solutions Inc.

This program is partially supported by a grant from the Illinois Arts Council Agency.

What’s Next

Saturday, March 20, 2021 @ 7:30pm

You might like this if…

• You love elderly ladies with a lot of spunk and sass, a là Sofia from The Golden Girls

• You enjoy quirky characters that are trying to discover themselves through their relationships

• You’re over cookie-cutter stories that focus on a young ingénue – you’re ready to see a story unfold across generations

or

• You’re down to feel those feels and let out those tears

The ~Vibe~

Emotional rollercoaster, light-hearted, self-acceptance, confessional

 

Starring

Justin Berkowitz, Evan Bravos, Laura Wilde, Morgan Middleton, Keanon Kyles, and Alexandra LoBianco

Creative Team

Composer Matthew Recio, Librettist Royce Vavrek, and Conductor Kedrick Armstrong